“High and Scared” is a movement based play unfolding inside a shared, unraveling reality – where nightlife bleeds into work, where grief hums beneath club lights, and where bodies keep moving even as the mind slips. Built on endurance choreography and physical therapy-inspired movement, the piece traces the tension between survival and surrender. Breakups echo in green rooms. The aftermath of assault lingers in silent corners. Sadness flickers in and out, like bad lighting in a bathroom stall. Still, the train runs. The beat drops. The play holds all of it in one breath—absurd, darkly funny, tender. A collapsing ecosystem where pleasure and paranoia coexist, and even in the noise, something soft insists on being held. Have you seen Molly?
I worked as A1 sound engineer for this performance.
Mindy Seu presents SXXTXCH LIVE, in collaboration with Deem Journal, a weekend of live podcast recordings, a guest performance, and a reception that delves into sexual technologies. Over two days, Seu and invited guests will discuss the impact of sexuality on technology, innovating online, queering biotech, transforming markets, and more.
Podcast episodes included guests such as Ani Liu, Gabriella M Garcia, Navild Acosta, Mistress Harley, Ayanna Dozier, SHAWNÉ MICHAELAIN HOLLOWAY, Sam Cole, and Noelle Perdue.
Performances included TERMS OF SERVICE by Shawné Michaelain Holloway with A. J. McClenon, and A SEXUAL HISTORY OF THE INTERNET by Mindy Seu.
I worked as A1 sound engineer throughout this weekend of events.
Photos (left) were taken from the sound booth during Holloway/McClenon and Seu’s performances.
I worked as an A1 sound engineer throughout the program, collaborating with artists Julie Tolentino, Juliana Huxtable and Via App, Nora Chipaumire, Bilna’es, Denise Ferreira da Silva, Wendy’s Subway, and more.
I worked as A1 sound engineer for this performance.
Inspired by the idea of a forest bath or nature walk, A. Garden, or “Anthrophony (human made sound) Garden” encouraged us to blur the distinctions between human and nature. Featuring Lake Dorn, YATTA and Keith N’Dong, with a live installation by Neda Mouzayanni, the audience was invited to take a moment of reprieve in this auditory garden. Under the prompt of regeneration and rebirth, each artist’s interpretation was enlivened through sonic based interventions.
I worked as A2 sound engineer for this night of performances.
I contributed drums and percussion performance on tracks 1, 2, 3, 6, 8, 9, 10, 11, 12, and 13, and recording engineering for the drums and percussion throughout the record, recorded at Oori Studios.
I worked as the A1 sound engineer for this performance.
I contributed vocal recording engineering for this song, recorded at Oori Studios.
Dance and Process 2024: Rena Anakwe, ms. z tye, and Ogemdi Ude is organized by mayfield brooks and Niall Jones, with Matthew Lyons, Curator, and Angelique Rosales Salgado, Curatorial Assistant.
I lead the sound system design, installation, and live sound mixing for the performance.
I recorded, edited, mixed and mastered the audio for the film, and produced an original sound piece for the film score.