I contributed drums and percussion performance on tracks 1, 2, 3, 6, 8, 9, 10, 11, 12, and 13, and recording engineering for the drums and percussion throughout the record, recorded at Oori Studios.
I contributed vocal recording engineering for this song, recorded at Oori Studios.
Dance and Process 2024: Rena Anakwe, ms. z tye, and Ogemdi Ude is organized by mayfield brooks and Niall Jones, with Matthew Lyons, Curator, and Angelique Rosales Salgado, Curatorial Assistant.
I lead the sound system design, installation, and live sound mixing for the performance.
I recorded, edited, mixed and mastered the audio for the film, and produced an original sound piece for the film score.
I did the recording engineering, and played drums on the album.
Harmony Holiday: BLACK BACKSTAGE organized by Legacy Russell, Executive Director & Chief Curator and Angelique Rosales Salgado, Curatorial Assistant, with Tsige Tafesse, 2023-24 Curatorial Fellow.
I contributed live sound mixing for performances, and setup and mixing for installation sound, in collaboration with sound designers Johann Diedrick and Caleb Giles.
Calling on the titans of New York’s queer art and literary scenes of the 1970s and 1980s as “guiding spirits,” Hallikainen contextualizes longing and solitude through the art and writing of iconoclastic cultural figures such as David Wojnarowicz, William S. Burroughs, and John Wieners in an intergenerational “séance” inspired by poet John Giorno’s Buddhist ceremonies. During the performance, Hallikainen will incorporate live sound mixing and scents to create a multi-sensory poetic narrative.
Curated by Job Piston, Curator at Large.
A co-production with Tibet House.
This performance featured a sculptural installation by Man Yau.
I contributed the sound system design and installation, and live sound mixing for the run of performances.
They mostly take place in the residency studios at 306 Maujer Street, on the couch and surrounded by working references. With these casual conversations, we introduce the residents’ practices to our wider audiences and also discuss broader questions, such as: what is artistic research and how is it done, what is the impact of the New York/Amant context, in what ways has the proposed project changed since arriving and why? And finally, what voices might our residents hear?
I audio edit, mix and master the podcast series.